Upcoming

Dwellings

Performance

Curated by Danielle Ross, with solo performances by Ross, Pepe Alvarez Colon, Joanna Furnans, and Anna Martine Whitehead

Roman Susan Gallery, Chicago, IL

June 27, 2019, 7 PM Doors /// Performances at 7:30 PM)

FREE

Dwellings is a collection of in-progress solos by choreographers Pepe Álvarez, Joanna Furnans, Anna Martine Whitehead, and Danielle Ross. Each of these works explore the body and the self in deep relationship to a myriad of other factors: to others, to the material landscape around us, to the past, and to audience. Curated by Danielle Ross as a collection, these works have an interesting potential to talk with and to illuminate one another. Ross is interested in the relationality of performance, and each of these artists deeply works with the body, the self, and the interior in relation to the multifaceted worlds it inhabits.

Pepe Álvarez Colon
Land(e)scape is performance format I use to reactivate the performance codes I have found in my ongoing archival research of Puerto Rican experimental dance and performance art history; a personal archive I have collected obsessively over the past six years. As a queer decolonial act of myth-making it is also an attempt to place my body in relation to inanimate objects in order to bring back the immaterial substances of a collective, sensorial unconscious, always informed and contested by a long history of Puerto Rican anti-colonial struggles.

Pepe Álvarez is a Puerto Rican dance, theatre and performance artist that transform his obsession with obsolete dramatic structures into conceptual gestures and hybrid performance formats. For more information, please visit joseralvarezcolon.wixsite.

Image: This is NOT a piece by Viveca Vázquez by Pepe Álvarez, photo by Antonio Ramirez

Joanna Furnans

Joanna Furnans is an independent dance artist based in Chicago. Her project, Doing Fine, is an evening-length solo performance resulting from a year of autobiographical writing and movement research developed in collaboration with five choreographers, a writer, a visual artist, and a sound designer. The creative research specifically explores themes of memory, specificity, vulnerability, habit, confusion, recovery, and commonplace. Doing Fine will premiere in Chicago in August 2019 at the artist’s studio, the grey space, with a site-specific installation and the compilation of the project’s selected writings. For more information, please visit joannafurnans.com.

Doing Fine is supported by the Illinois Arts Council Agency, The Yard, High Concept Labs, and a 2018 Chicago Dancemaker’s Forum Lab Artist Award.

Image: photo by Christine Wallers

Anna Martine Whitehead

Continuing her exploration of architecture, improvisation, collectivity, and containment, Martine presents this funky little piece as an opportunity to share some practice. Generally speaking, Martine makes performances. She has been presented by venues including the Museum of Contemporary Art in Chicago; San José Museum of Art; Velocity Dance Center; Yerba Buena Center for the Arts; Chicago Cultural Center; Links Hall; AUNTS; and CounterPULSE. She has developed her craft by working in close collaboration with Onye Ozuzu, Jefferson Pinder, taisha paggett, Every house has a door, Keith Hennessy, BodyCartography Project, Julien Prévieux, and the Prison + Neighborhood Art Project, among others. For more information, please visit annamartine.com.

Image: photo by Sara Pooley

Danielle Ross

Danielle Ross is a performance maker, curator, dancer, and scholar. She is on the board of the Creative Music Guild, co-curated the series Pure Surface and is co-founder of FRONT, a newspaper dedicated to dance and performance. She has worked with Linda Austin, Ayako Kato, Bouchra Ouizguen, Zoe|Juniper, Lu Yim, and others. Ross is a graduate student in Northwestern’s Performance Studies program.

You Are Not Alone is a meditation on how our bodies soak up those we move with; it explores the performing body as a collector. An experiment in the visual, voyeuristic elements of performance, it plays with how our relationships - you and I, you and you - are entangled in performance.

Image: Apparatus by Danielle Ross, photo by Chelsea Petrakis

Roman SusanFinal.jpg

It’s Less Like an Object and More Like the Weather: John Cage and Dance

Exhibit

Curated by Danielle Ross, Greg MacAyeal, and Jill Waycie

Deering Library (2nd floor exhibition space), Northwestern University, Evanston, IL

August 8-11, 2019

Part of the Dance Studies Association annual conference: https://dancestudiesassociation.org/conferences/dancing-in-common
It's Less Like an Object and More Like the Weather
highlights artist and composer John Cage’s prolific work with dance and choreographic practices. This exhibit features letters, photographs, scores, interviews, and more from Cage’s varied collaborations with choreographers beginning in the 1940s.  

It's Less Like an Object and More Like the Weather centers Northwestern University’s John Cage Collection, a rich archive of Cage’s work and personal memorabilia. This exhibit follows the personal and professional arc of John Cage’s work with Merce Cunningham, beginning with their initial works premiering at Bennington College in 1942. Additionally It's Less Like an Object and More Like the Weather displays Cage’s collaborations with choreographers including Pearl Primus, Jean Erdman, Bonnie Bird, and more. Finally, this exhibit incorporates documents telling the story of Cage’s own artistic approach to composition, including scores and writings on his practice.

The Ancestral Dance: Blurring the Historic in Poor People’s TV Room

Conference Paper

Dance Studies Association Annual Conference, Northwestern University

August 11, 2019, 8:30 AM

For Updated Schedules: https://dancestudiesassociation.org/conferences/dancing-in-common

You Are Not Alone

Performance (In-progress Solo Material)

Detroit, Michigan

September, 2019 (Details to come)

You Are Not Alone is a meditation on how our bodies soak up those we move with; it explores the performing body as a collector. An experiment in the visual, voyeuristic elements of performance, it plays with how our relationships - you and I, you and you - are entangled in performance.

PAST

To The Shore: ETHOS, Episode I

Performance

Directed by Ayako Kato w/ Tuli Bera, Aquarius Ester, Lesley Keller, Amanda Maraist, Jasmine Mendoza, Margaret Morris, Danielle Ross, Wilson Tanner, and Jason Roebke

Colvin House, Chicago, IL

June 1-2, 2019

Part of Pivot Arts Festival, Tickets: https://www.brownpapertickets.com/event/4204894

Movements: A Response to The Leopard

Performance

Directed by D. Soyini Madison w/ Jennifer Ligaya, Gervais Marsh, Andreea Micu, Michell Miller, Danielle Ross, and Rachel Russell

Block Museum of Art, Evanston, IL

April 4, 2019, 6pm, FREE

https://www.blockmuseum.northwestern.edu/exhibitions/2019/isaac-julien-the-leopard-western-unionsmall-boats.html

After

Performance

By Andrew Schneider and alicia-ayo ohs

Lincoln Hall, Part of Portland Institute for Contemporary Art’s Time Based Art Festival, Portland, OR

September 14 and 15, 2018

http://pica.org/tba/

Alter Ego (in progress)

Performance

Research Project at Outerspace

1474 N Milwaukee Ave, Chicago 60622

July 22nd, 2018

$10 Suggested Donation

Survival Dance: Choreographies of Resonance

Presentation of Research

Contra: Dance and Conflict (Dance Studies Association Conference)

University of Malta, Malta

July 7, 2018, 11 AM

Alter Ego (in progress)

Performance

In Motion: Performance and Unsettling Borders (Interdisciplinary Conference + Performance Festival) 

Northwestern University, Chicago, IL

April 27-29, 2018

Information (updated schedule coming early April): https://sites.northwestern.edu/inmotion/ 

he moves like the ocean: a performance

Performance

By Amy Conway, Performed by Mike Barber, claire barrera, Danielle Ross, Doug Theriault, Stephanie Lavon Trotter, and Reed Wallsmith

Performance Works Northwest, Portland, OR

March 26th, 7:30 P, $10-20 sliding scale (Limited tickets remaining)

Tickets:  https://www.brownpapertickets.com/event/3354679